Energy Accounts: Architectural Representations of Energy, Climate, and the Future

How does one tell the story of energy production, use, or conservation in a manner sufficiently convincing to influence policy, behavior, and design? Energy Accounts explores potential answers to this question through compelling images, data visualizations, narratives, and other examples of accounting for energy. Organized into a collection containing both examples of best practices and critiques, this impressive array of projects and contributors combines text and graphic material to explore different representations of energy data. Including work from Kieran Timberlake, SHoP, AMO, Lateral Office, WOHA, and many more, the book boasts a unique graphic design which supports and enhances its role as a valuable resource for professionals and students in architecture, engineering, and urban design.

Dan Willis is a practicing architect and Professor of Architecture at Penn State University. His research and writing focus on the intersection of architecture and technology. He is the author of The Emerald City and Other Essays on the Architectural Imagination, and co-editor and contributor to Architecture and Energy: Performance and Style.

William W. Braham is a Professor of Architecture at the University of Pennsylvania. His recent publications include Architecture andSystems Ecology: Thermodynamic Principles for Environmental Building Design, in three parts (2015) and as co-editor of Architecture and Energy: Performance and Style (2013).

Katsuhiko Muramoto is an Associate Professor of Architecture at Penn State University. His research focuses on cross-cultural issues between the West and Japan, twentieth-century Japanese architecture, theory of new media and digital mediation, cyber-enabled participatory collaboration, mobile augmented reality, and theories of architectural representation.

Daniel A. Barber is an Assistant Professor of Architecture at Penn Design. He is an architectural historian with a research interest in the relationship between the design fields and the emergence of global environmental culture across the twentieth century. He is a leading voice in the field’s increasing interest in environmental concerns on both historical and theoretical terms.