HOT YLE英檢
Cinema at the Periphery

Cinema at the Periphery

  • 定價:1919

分期價:(除不盡餘數於第一期收取) 分期說明

3期0利率每期6396期0利率每期319
  • 運送方式:
  • 臺灣與離島
  • 海外
  • 可配送點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
  • 可取貨點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
載入中...
  • 分享
 

內容簡介

Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema.

From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration.

Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste.

Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.

 

作者簡介

Dina Iordanova is professor of film studies and director of the Centre for Film Studies at the University of St. Andrews, Scotland. She is the author of Cinema of Flames: Balkan Film, Culture, and the Media, Emir Kusturica, and Cinema of the Other Europe. She is the editor of BFI’s Companion to Russian and Eastern European Cinema and Cinema of the Balkans.

David Martin-Jones is senior lecturer in film studies at the University of St. Andrews, Scotland. He is the author of Deleuze, Cinema and National Identity, Deleuze Reframed, Scotland: Global Cinema and the forthcoming Deleuze and World Cinemas.

Bel?n Vidal is lecturer in film studies at King’s College London. She has published on the period film in the journals Screen and Journal of European Studies and on contemporary Spanish cinema.

 

詳細資料

  • ISBN:9780814333884
  • 規格:平裝 / 268頁 / 22.6 x 15 x 1.5 cm / 普通級
  • 出版地:美國

最近瀏覽商品

 

相關活動

  • 【藝術設計、生活風格】2024臉譜全書系展,電子書單書85折,任選二本82折!
 

購物說明

外文館商品版本:商品之書封,為出版社提供之樣本。實際出貨商品,以出版社所提供之現有版本為主。關於外文書裝訂、版本上的差異,請參考【外文書的小知識】。

調貨時間:無庫存之商品,在您完成訂單程序之後,將以空運的方式為您下單調貨。原則上約14~20個工作天可以取書(若有將延遲另行告知)。為了縮短等待的時間,建議您將外文書與其它商品分開下單,以獲得最快的取貨速度,但若是海外專案進口的外文商品,調貨時間約1~2個月。 

若您具有法人身份為常態性且大量購書者,或有特殊作業需求,建議您可洽詢「企業採購」。 

退換貨說明 

會員所購買的商品均享有到貨十天的猶豫期(含例假日)。退回之商品必須於猶豫期內寄回。 

辦理退換貨時,商品必須是全新狀態與完整包裝(請注意保持商品本體、配件、贈品、保證書、原廠包裝及所有附隨文件或資料的完整性,切勿缺漏任何配件或損毀原廠外盒)。退回商品無法回復原狀者,恐將影響退貨權益或需負擔部分費用。 

訂購本商品前請務必詳閱商品退換貨原則 

  • 繪本展
  • 心理
  • 聽讀展